It was one of those breezy and humid winter evenings in Bombay back in 2011 when I was generously invited to Ketnav Studio for the private screening of Hum Dono Rangeen. Although I had already been to watch the film in a multiplex, it had enchanted me so deeply that I considered watching it again a splendid way to spend another of my Bombay evenings.
As I sat having snacks with friends and waiting for the film to start, there were rumours that both heroines, Nanda and Sadhana, might show up for the screening.
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